Morphing Myths and Shedding Skins: Interconnectivity and the Subversion of the Isolated Female Self in Angela Carter’s “The Tiger’s Bride” and Margaret Atwood’s Surfacing

This project is an analysis of the utilization of mythmaking and human-animal relationships reflected in Angela Carter’s “The Tiger’s Bride” and Margaret Atwood’s Surfacing. Carter and Atwood show how societal restrictions can devalue the connections between the body, the mind, and the natural world. Through the theoretical lenses of primarily post-structuralism and ecofeminism, this project seeks to show how these two authors subvert isolated female identities through the use of the fairy tale element of the human-animal transformation. This subversion rejects dualistic tendencies of the dominant, patriarchal society, opening new ways of identifying the self through interconnections otherwise rejected or ignored out of the fear of encountering otherness. The formation of relational selves encourages both the communication with entities beyond the human realm and also the engagement in creative deconstruction that helps establish fluidity. Through their innovative uses of language, Carter and Atwood portray a movement away from normative society towards an ambiguity that promotes diversified multiplicity